Category Archives: Reading

Storytelling versus spectacle

Watching the trailer for I, Frankenstein I yet again feel sad that no one has so far filmed a faithful version of one of my favourite books.

While it’s poor form to slate a film you haven’t yet seen (and, in this case have very little enthusiasm to watch) the trailer does set out the stall of the movie: action, explosions and don’t-know-when-to-stop spectacle.

(As an aside, the film isn’t exactly winning the hearts of critics. Mark Kermode gives it one star – I suspect because zero stars isn’t an option – his review is nothing short of damning.)

I, Frankenstein is yet another in a long line of spectacular yet dull movies churned out by Hollywood – a neat enough idea perhaps, but with all the money going to big stars and big CGI rather than investment in the script.

It seems to me that, when it comes to storytelling, television increasingly has the edge over cinema. Television doesn’t have the same budgets as cinema (though it’s inching closer) so there’s much more of a focus on storytelling. Plus, the medium itself inherently has something that Hollywood doesn’t – oodles of time.

Take Breaking Bad, one of the best character-driven dramas ever. Walter White’s slow decline from Mr Chips to Scarface takes place over six seasons. That’s 62 episodes with a usual runtime of 60 minutes. As a film, that would be just over two-and-a-half days. Quite a commitment but one that’s manageable on television. The format allows characters to be explored, subplots to thrive, red herrings to be teased continually. How would you shoehorn that into a couple of hours?

Breaking Bad isn’t alone. Game of Thrones, The Wire, The Sopranos, Rome, 24 – the list goes on. At the heart of all of these is great storytelling (though, to be fair, Game of Thrones has its share of decent – if not exaggerated – special effects). And decent television dramas don’t have to be bottom-numbing epics, either. Broadchurch spanned just 8 episodes of 45 minutes each. At roughly 360 minutes, that’s still comfortably longer than an epic film such as Lawrence of Arabia (222 minutes in the original release; 228 minutes in the restored version).

True enough, the three Lord of the Rings films made for 558 minutes in the theatre and 726 minutes on Blu-ray; there are always exceptions – Lord of the Rings combines spectacle with storytelling brilliantly.

It seems to me that because television’s found strong storytelling feet in the long-form drama, Hollywood is hitting back in the only way it can: mostly with explosions and CGI. While there’s some long-form cinema (Harry Potter, The Hunger Games, Lord of the Rings are just a few) there’s the inescapable fact: they have to be good stories to survive that kind of runtime. They are exceptions because they are good, character-driven stories.

Thor, Iron Man, The Avengers and Marvel’s other superhero films don’t really count. They’re not one long story, they’re really standalones with some connectivity bolted in; they’re also pretty hit-and-miss – typically further examples of thin plot and thick spectacle, smartly linked to create a pleasing universe in which to wallow.

By and large, enough people must be watching these vacant blockbusters to make them worthwhile – and keep the studio suits convinced that bigger, louder explosions equals audience satisfaction. Thank goodness that’s not the extent of cinema and that some good stories do make it on the big screen.

Sure, television’s not flawless. For every Breaking Bad there are dozens of tired, clichéd serials. And don’t get me started on cooking shows, makeover shows, celebrity challenges or whatever. But at least long-form television drama proves that massive audiences want great stories too.

Both Hollywood and television compete for our money, so they’ll make what mostly succeeds commercially. Yet I can’t help thinking that as a general trend, the Hollywood suits are backing spectacle over storytelling – perhaps in the hope that we won’t spot the threadbare plot in the middle of so many awesome explosions.

The Chrysalids – review

It feels slightly odd sitting down to write a review of John Wyndham’s The Chrysalids. I first read it when I was ten or eleven – about the same age as the book’s protagonist, David Strorm, when we first meet him. Since then, I’ve read it many, many times – and enjoyed it as much each time.

Falling for that reader’s temptation to spend time with an old friend, I’ve just finished reading it yet again – in fact, it’s one of the first books on my new Kindle Paperwhite.

The story is set at some point in the future. We don’t really know when, but it’s safe to assume that at least a thousand years have passed since today. Civilisation has fallen long ago – and is now trying to claw its way out of a largely non-technological agricultural era. What became of mankind, we’re not told for sure – but a large-scale nuclear war seems the safest bet.

David lives with his family on a farm in Waknuk, part of what we know now as Labrador. Life isn’t easy. ‘Deviations’ (mutated crops and animals) are feared as the work of the Devil and have to be guarded against, rooted out and destroyed to guarantee genetic purity. ‘Abominations’ (mutated people) are sterilised and cast out to the Fringes, a land where little grows true and life expectancy is short.

Physical deviations are easy to spot – an extra finger, long arms and so on. But David deviates in a way that people can’t see with the eye: he can communicate over long distances, with his mind. He’s one of a group with the same curse, or gift. As he grows, it becomes increasingly hard for the group to hide their deviation – and discovery can only end in one way.

In a land that is driven by religion (the Bible being only one of two books which survived the Tribulation, the passing of the old people) David’s father is one of the most fervent zealots, who wouldn’t hesitate to hand over one of his family to the authorities.

So, enough plot. I don’t want to spoil it if you’ve not read it.

To readers of science fiction, much of the above will seem like familiar territory. But remember: this was written in 1955. The Chrysalids is very much one of the first carts to cut grooves into science fiction’s muddy lanes.

It could certainly be said that some of the writing is of its time. A little formal for today’s eyes; a little proper; perhaps – now and again – a little stilted. But what can’t be said is that the book is ever anything less than absorbing – and its tale of prejudice, judgement, intolerance and fear is as relevant today as the day it was written.

If the book has a flaw, for me it’s a grand speech given towards the end – by one of the characters. Again, I don’t want to spoil things for you – but it retreads the themes of the book in a less than subtle way, needlessly repeating and reinforcing the book’s core messages. It’s not a great crime – but possibly something of a stumble.

I personally consider this to be Wyndham’s finest book. The characters are stronger than in The Day of The Triffids; their relationships more realistic, moving and engaging. The prose is wonderful. The plot keeps moving – raising the stakes until it reaches the conclusion.

I can’t deny my deep fondness for this book. It’s been a part of my life for as long as I can remember. Its values and sensibilities have helped to shape mine. I’m affectionate towards it, as you would be with a loved old friend. It also was responsible for instilling in me a romanticism; a high regard for relationships based on deep love. In a time where most science fiction writers were somewhat emotionally constipated, Wyndham paints the relationship between David and his cousin, Rosalind, in a way that those of us who can’t connect with our minds – and are restricted to physical senses – can only envy.

Full Dark, No Stars – review

Don’t ask me why, I’d just not got around to reading this one, even though I’d bought it a couple of years ago. Full Dark, No Stars consists of four (loosely) thematically linked novellas.

The first story, 1992, is a man’s first-person confession of a killing – and in many ways owes more than a tip of the hat to Poe’s A Tell-Tale Heart. The second story, Dig Driver, is darker still – the revenge of a rape victim. The third, Fair Extension, deals with a pact and its consequences – though this is far from being The Monkey’s Paw. The final story, A Good Marriage, deals with the horror of discovering that the man you’ve lived with most of your life isn’t what he seems.

Stephen King describes these stories as harsh. It’s an accurate word. Although there are hints (and sometimes more than hints) of the supernatural, these are really tales of the dark that is within us all – those parts of human nature which we tell ourselves don’t exist, or occur only rarely. We may tell ourselves this, yet we know even as we do that this is self-deceit. Such darkness is around us – we only have to watch the news to know this is the truth. Sometimes the darkness is close to us. Sometimes it is inside us.

It can be the case with a collection of shorter stories that there’s one stand-out story and at least one lame duck. Not so here. Each story is as strong as the next – an engaging plot that’s driven forwards by believable, though flawed, characters in horrific situations.

None suffer from ‘clockwork plot’ syndrome (that you can tell instantly where things are going and nothing falls in the characters’ paths). None miss a step. None dawdle or linger. None flinch in the face of giving the reader the truth – the truth that’s a bone, broken, with skin and flesh torn away. These are examinations of human nature; the dark with the light – though of course mostly dark.

Yet, the stories never become salacious. This isn’t horror porn, it’s our dark selves under scrutiny. What someone might do if tempted, pushed or cornered.

King remains a gripping writer. Someone who is able to conjure characters that are as solid and believable as your own neighbours, friends and family. He’s also someone who’s a master of not just the novel but also the novella – so unfashionable elsewhere, perhaps, but here the stories are exactly right for the word count.

Kindle Paperwhite

Kindles have come a long way in a very short time. My first Kindle, not much more than a couple of years ago, was a clunky, blocky affair. My second, the previous non-Paperwhite Kindle (the one with the keyboard) was much better – but still a little bulky.

The New Kindle Paperwhite (late 2013) is an altogether more natural feeling device. It’s compact and light – very easy on the hand. Apart from the on switch, it lacks buttons of any kind, being a touchscreen device.

New Kindle Paperwhite

New Kindle Paperwhite

My assumption was that this would be a weakness – that, like the iPad, it would be a fingerprint magnet which required frequent cleaning. Not so. It takes the lightest of touches to move from page to page; even my often sticky hands don’t seem to be making a negative impression on its screen. If I’m honest, I’d still prefer the button to be at the side of the screen – ergonomically, this seems to make the most sense, as you don’t have to even move your thumb to turn a page. But the touchscreen does work well, though I seem to have a habit of moving forwards more than one page, when I’m a little careless.

The build quality is excellent. This is a sturdy piece of kit. While the plastic on the front is smooth, the reverse is matt – just enough of the sheen removed to allow you to grip it properly. As usual, adding a case gives you more protection – but adds weight and bulk.

The screen is excellent. It’s backlit, so – for the first time with a Kindle – you can read in the dark. Indeed, you can read in almost any lighting condition. You can adjust the level of backlighting until you’re comfortable. The refresh when you turn pages now has far less of a distracting flash. Type is clear and legible.

The Kindle Paperwhite’s performance is snappy – it positively zips along when moving from page to page.

Battery life is claimed to be much better. I have to say that, with the wireless turned on, I’ve not found this to be the case – I certainly didn’t get the claimed weeks of life from it. I’ve now turned wireless off and we’ll see how much of a difference that makes.

At just over £100 (without 3G) it’s also very good value – more performance and a better screen for around the same money.

Was it worth the upgrade? I’d say yes, without a doubt. It’s lighter, more comfortable to use and it’s wonderful to be able to read in the dark, or dim light, without an add-on light. I expect that many a Christmas stocking will have one of these inside it this year.

Miss Peregrine’s Home for Peculiar Children: a review

I’m sure the person who bought me this as a present has no idea that one of my fascinations in life is old photographs. Many’s the time I flick through them in junk shops, wondering, what exactly is the story behind each picture? Those two people, posing – lovers? Friends? Friends having an affair that no one ever found out about? That building – where is it? Does it still exist? Who lived there? Who died there?

Such is the premise behind the at first charming, at times puzzling and frequently dark Miss Peregrine’s Home for Peculiar Children. Young Jacob’s fascination for his grandfather’s old, other-worldly photographs leads him into a world he couldn’t suspect existed – as he tries to come to terms with tragedy and with memories he knows must be impossible.

The prose is punctuated by the photographs themselves, giving the book not just something visual as an anchor but creating a deeper, more brooding atmosphere.

It’s a book of many different tones. Its language is efficient, keeping the reader moving. Its ideas sparkle with originality, fun and fear. Like the peat-bog in the story itself, the narrative keeps shifting under the reader’s feet – as you’re led into strange dark places that grow darker still as you read on. It’s also frequently gripping, with a real sense of jeopardy that increases in scale as the book progresses.

Jacob sets out to discover the truth behind his grandfather’s past at an orphanage on a remote Welsh island, but finds only the crumbling ruins of the past – the children long gone, the orphanage a ruin being reclaimed by nature. Yet as Jacob explores, he finds that the past may not be as far away as he thought.

That’s enough spoilers. I’ve had something of a ‘reading dry spell’ and this was exactly the right kind of book to break it. It seems light to begin with, but soon pulls you into its dark world. The children are not the prissy youths of so much fantasy fiction, but streetwise, sassy and conflicted. It’s well-written, with just one passage feeling oh-so-much like a scene from Woman in Black – but the rest shimmered with originality. It’s also a book that’s hard to categorise – young adult? Possibly? Horror? In parts. It dances between genres niftily, stealing from them what it will and deftly avoiding sinking in any of them.

Remembering Gerry Anderson

Over the Christmas break, one of the true heroes of my life sadly passed away: the great Gerry Anderson.

Like most people of my age, my first exposure to Gerry’s work was as a child. The opening bars of each of his shows called us to gather eagerly around the television, captivated in turn by Supercar, Fireball XL5, Stingray, Captain Scarlet and the Mysterons and Joe 90.

Famously, Gerry was frustrated by being known as ‘the puppet guy’ – he wanted to make serious films with live actors. (Of course, that day came with UFO and Space: 1999 – both blockbuster hits.) Yet I doubt that if he’d gone straight into live action that his legacy would be anywhere near as rich.

Out of financial necessity, Gerry created children’s television shows, using increasingly sophisticated puppets. Though sponsored and trusted by the great Lew Grade, he was squeezed tightly on budget – Grade knew that Anderson could deliver the goods, but he needed to turn a decent profit too.

And, where other filmmakers might be enjoying the luxury of large sound-stages and studio facilities, Anderson had to make do with a cramped unit on a Slough trading estate.

All of these restrictions were fuel to a unique creative fire. Tight budgets meant solving problems in an inventive way. Working for children meant that imaginations could run wild. A small set meant that people worked together closely; new techniques were needed to film what were ostensibly large set pieces.

A lesser person may well have produced what was ‘good enough’. Not Gerry. Gerry absolutely did not accept that any of these restrictions meant his output should be in any way apologetic. Yes, he was out to prove himself and desperately wanted to attract a different kind of commission – but he was also passionate about his product.

As a creator of children’s tales for a more modern age, Gerry was without equal. I say that in the knowledge that other filmmakers – most notably Disney – were around at the same time. But where Disney plundered folk tales for his stories, Anderson’s catalogue was set mostly in the future – original creations.

There is a magic and charm about Gerry’s work that is not only unique but has enabled it to stand the test of time. His shows are full of cheeky humour – but sentimentality is rare. Gerry’s audience were children – but he never, ever patronised them. He created television shows that were shot like blockbuster movies – large-scale action, tightly plotted stories and (despite their puppet-nature) entertaining and likeable characters.

Pushing back the boundaries at a technical level paid off – sure, we can see the strings, but the sheer quality of the model work and special effects still looks great today. It’s said that few filming techniques used by Hollywood in disaster blockbusters weren’t created by Gerry, from his little trading estate in Slough.

In filmmaking, genius isn’t all about self. It’s teamwork. And Gerry was oh so good at selecting, working with and trusting some truly great people. The model designs of Reg Hill and Mike Trim. The special effects of Derek Meddings. The fashion designs of Sylvia Anderson. And of course the unforgettable music of Barry Gray – each theme tune a heraldic introduction that set pulses racing and grabbed you firmly, pushing you down in front of the television. All of these elements – and more – came together under Anderson’s tireless coordination to create 30 to 60 minutes of television magic, week in, week out.

Gerry wasn’t always (indeed, often) the writer, but it’s as a storyteller rather than a filmmaker for which I remember him. His ideas positively sparkled and absolutely connected with his audience – which child wouldn’t want to be a secret agent with adult mind implants, or save people’s lives with the amazing equipment of a secret rescue organisation?

He only gave up work towards the end of his life. It’s true, his career took a dip – but he regained his creative mojo in 2005 with the CGI version of Captain Scarlet (sadly hidden in the schedules and not destined to be a commercial success). He didn’t own the rights to much of his work and would have loved to have remade Thunderbirds in CGI – and was scathing, rightly so, of the embarrassing misstep that was Jonathan Frakes’s Thunderbirds movie.

I doubt that any other person has had as big an influence on my childhood. Gerry Anderson created the things which inspired me to play as a child. Even today, my office contains models of Supercar, Fireball XL5, Eagle transporters, Skydiver and Interceptors. Each is beautiful in its own right; each is a reminder of a time when stories were told with both innocence and gusto; each shows me that – even with a tight budget and limited facilities – true greatness can be created.

Gerry, I can’t thank you enough.

Christmas presents from my friends

Large group of Christmas presents

It’s Christmas and we’re in a recession. So it seemed to me that it would be a good idea to promote some of the work of my wonderful creative friends – I’m fortunate enough to know talented writers, musicians and painters.

These are all independent creatives – so buying from them puts money straight into their pockets. They’d really welcome your support. Most of what they sell doesn’t cost much and will provide loads of pleasure. If you don’t buy, why not consider sharing this page on Facebook or Twitter? And you’re looking for something different, let’s face it – you’d like to be giving a surprise; to introduce a loved one to something new and special.

So, here we go, in alphabetical order (so there’s no arguments). I’m using links to UK stores, I’m sure those of you from around the world have the smarts to find this stuff near you. All of these recommendations come with my personal 100-yard guarantee.

I encourage you to share these on Facebook, or on Twitter using #XmasGiftsByMyFriends

Doctor Who art by Andrew Skilleter

Doctor Who art by Andrew Skilleter

Andrew Skilleter

Andrew is a talented artist, well known for his Doctor Who illustrations – many of which have adorned Target novels and the like. I own some of Andrew’s work myself. From his shop, you can buy limited edition prints, original art and remarq print editions (when an original drawing is added to a limited edition print). Visit Andrew Skilleter’s website or Andrew’s Facebook page.

Anthony Cowin

Anthony is a horror writer who’s been turning his hand to short stories. You can find his work in several well-rated horror anthologies which are available on Amazon. He’s currently finishing an anthology of stories, A Magpie’s Tale, which should be released soon. You can follow Anthony on Twitter.

Sheridan Le Fanu - Carmilla

Sheridan Le Fanu – Carmilla

Barnaby Edwards

Lovely man Barnaby is perhaps best known for playing the Daleks on BBC TV’s Doctor Who. He also runs an amazing company – Textbook Stuff –which creates really excellent audio books, based on classic literature. These are superb and a cut above the usual audio books in terms of production (check out my review of Barnaby’s Edgar Allan Poe collection). There’s everything from romance to horror. Visit Textbook Stuff’s website. You can also follow Barnaby on Twitter.

As if that wasn’t enough, Barnaby is also a talented photographer and artist. On Barnaby’s Red Bubble website, you can buy calendars, cards and prints.

Room to Move - Becky Higg

Room to Move – Becky Higg

Becky Higg

Becky Higg is an amazingly talented singer-songwriter from Manchester; her album Room to Move is one of my favourite all-time albums. I was lucky enough for her to play at my birthday party a couple of years ago (well, OK, I really twisted her arm). You can watch her on this video (sorry about the sound quality and people talking). You can buy her album ‘Room to Move’ on iTunes and the rest of her albums on her website.

Cure, by Belinda Frisch

Cure, by Belinda Frisch

Belinda Frisch

Belinda is a horror writer based in New York – she has two novels available on Amazon, and short stories in a few anthologies. Her first novel, Dead Spell, is 4.5-star rated on Amazon UK and Amazon US. Her latest novel, Cure, has been optioned as a movie. You can enjoy a free sample of her work, a short story called Payback, on her website. Belinda’s fiction has appeared in Shroud Magazine, Dabblestone Horror, and Tales of Zombie War. She is an honorable mention winner in the Writer’s Digest 76th Annual Writing Competition and her novel, CURE, is the runner-up in the General Fiction category of the 2012 Halloween Book Festival. You can also follow Belinda on Twitter.

Blaze McRob

Blaze is a writer/publisher whose work is also available on Amazon, in the Satan’s Toybox anthologies of horror stories. In the world of Satan’s Toybox, no toy is ever what it seems, and toy soldiers are no exception. Plastic army men, GI Joe and tin soldiers offer a place to work out your aggressions on an imaginary battlefield. But what if the battlefields are real and the toy soldiers have some aggression of their own? You can also follow Blaze on Twitter.

Colin Steed

Colin Steed is a leading light in the field of business training; he’s the chief executive of the Learning & Performance Institute and learning advisor to top organisations. For those looking for a gift of an educational bent, Colin has a couple of non-fiction books available on Amazon, Introducing the Online Classroom and Facilitating Online Learning. You can also follow Colin on Twitter.

Swamp Box, by Coroner for the Police

Swamp Box, by Coroner for the Police

Coroner for the Police

If you want the dust blown from your eardrums with some cracking indie rock music with a real edge, check out Coroner for the Police. They have two excellent EPs out, Swamp Box and Gentleman’s Relish – both of which you can get your hands on via their website. You can also find free stuff on there, and you can choose what you pay for Gentleman’s Relish. Their music has had a great reception and has been played by Tom Robinson. You can also follow Coroner for the Police on Twitter.

Dodici Corde, Early Romantic Guitar Duo

Dodici Corde, Early Romantic Guitar Duo

Danielle Saxon Reeves

Danielle is an extremely talented musician who specialises in early romantic guitar music. She’s half of the wonderful Dodici Cordi, who perform in full period costume in splendid venues. They perform rarely played works of composers such as Giuliani, Sor, Carulli, Diabelli Mertz and others. Mark (the other half of the duo) plays an 1832 Panormo and Danielle plays a Terz guitar by Lamy and a French guitar made around 1840. You can order their CD, ‘Early Romantic Guitar Duets’, via their website.

Curse of Frankenstein by Daryl Joyce

Curse of Frankenstein by Daryl Joyce

Daryl Joyce

Daryl is a superbly talented illustrator and artist, whose work has featured on Doctor Who products, books, videos, the BBC website and more. For that special person, you might buy one of his already completed paintings – or you could commission a portrait. He’s also a jolly nice man. You can check out his work on his official website – which I have to confess I created. I proudly own several pieces of Daryl’s work.

The Target Book, by David J Howe

The Target Book, by David J Howe

David J Howe

David J Howe has been involved with Doctor Who research and writing for over thirty years. He has been consultant to a large number of publishers and manufacturers for their Doctor Who lines, and is author or co-author of over thirty factual titles associated with the show. He also has one of the largest collections of Doctor Who merchandise in the world. You can pick up loads of books by David on Amazon, including my personal favourite, The Target Book: A History of the Target Doctor Who Books.

Although not a friend, it would be remiss of me to depart from David without mentioning his partner, horror writer Sam Stone. Award-winning author Sam Stone began writing aged 11 after reading her first adult fiction book, The Collector by John Fowles. Her love of horror fiction began soon afterwards when she stayed up late one night with her sister to watch Christopher Lee in the classic Hammer film, Dracula. Since then she’s been a huge fan of vampire movies and novels old and new. Sam has around a dozen books available on Amazon, most of them 4- and 5-star rated.

David Shadbolt

Very much unlike myself, David is a man of God and one of the few writers on here who doesn’t pen horror; he is an author and a speaker, a thinker and a catalyst. He helps people think differently and become more effective in their everyday lives. He also runs Don’t Miss Your Moment, a communications and project management consultancy. You can find his 5-star rated books, God’s Healing for Businesses and Hello David I’m God (and don’t you ever forget it!) on Amazon.

Glen Krisch

Glen Krisch has written three novels: The Nightmare Within, Where Darkness Dwells, and Nothing Lasting. His short fiction has appeared in publications across three continents for the last decade. Dog Horn Publishing (U.K.) will publish his story collection debut in 2012. He is also an editor for Morrigan Books. As a freelance editor, he has worked on books by Tim Lebbon and Lawrence Block, among others. You can find Glen’s books on Amazon – most have 4+ stars. You can also follow Glen on Twitter.

James Garcia Jr

James was born in Hanford, California, in 1969. In the mid 1970’s, his father began a law enforcement career just up the road with the Kingsburg Police Department, taking his family there. It was in junior high school when things began to take shape. James discovered horror novels – books by Stephen King, Clive Barker and Michael Slade, to name a few – as well as hard rock music. These influences began to form a spark of creativity within him. James began to play guitar and pen song lyrics, but soon found himself confined in that tight medium, desiring to do longer works. You can find james 4-star rated horror novel, Flash Point (Dance on Fire), on Amazon. You can also follow James on Twitter.

Jane Mann

Jane plays first violin with the Bolton Symphony Orchestra, so we’ll let her off not creating the music she plays. I’m currently listening to their superb CD of Richard Strauss’ Ein Heldenleben, which sadly doesn’t seem to be available on their website yet. Keep an eye out. In the meanwhile, you can get hold of their CD ,A Celebration, from their website. I’m not going to walk on by from Jane without mentioning the work by her late, great husband, Geoff Mann. Search for his work on iTunes, you won’t be disappointed, The Off the End of the Pier Show isn’t indicative of his main body work, but it’s one of my favourites.

Forest of Adventures, by Katie M John

Forest of Adventures, by Katie M John

Katie M John

Katie is a dear friend and the writer of the Amazon best selling YA series, The Knight Trilogy. Katie is married to a handsome giant and mummy to a mud-puddle fairy. She likes to write whilst drinking tea and eating jaffa cakes. Most of the time she lives in a fairytale world but other than that she is completely and utterly normal. Katie’s debut YA fairtytale series, The Knight Trilogy, has become an international best seller in several chart categories, contemporary fantasy, myths and legends, paranormal romance. It has also been an Amazon number one best selling fairytale. Her work is a blend of rich imagery and fast-paced action. Before writing full length novels, Katie wrote poetry, her works being published in several anthology publications. You can check out her 4- and 5-star rated fiction on Amazon. You can also follow Katie on Twitter.

Dominion, by Marissa Farrer

Dominion, by Marissa Farrer

Marissa Farrar

Marissa Farrar is a multi-published fantasy and horror author. She was born in Devon, England, has travelled all over the world, and has lived in both Australia and Spain. She now resides in the Enlish countryside with her husband, two children, a crazy Spanish dog, two rescue cats and six hens and ten goldfish. Despite returning to England, she daydreams of one day being able to split her time between her home country and the balmy, white sandy beaches of Spain. Pick up one of Marissa’s 4- and 5-star rated bargains on Amazon. You can also follow Marissa on Twitter (bit of a tongue twister there).

The Well, by Peter Labrow

The Well, by Peter Labrow

Peter Labrow

So, we’re up to P. That would be me, then. Peter Labrow, horror writer. My first novel, The Well, has nearly 90 reviews on Amazon, an average rating of 4.5 stars. It’s available in print and on Kindle. Here’s the blurb: “Trapped. Missing. Cursed. Fourteen-year-old Becca Richards and her stepbrother have fallen to the bottom of an ancient well. Their parents are away; they won’t be missed for days. The predatory man who had been stalking Becca now switches his attentions to her best friend. Two women who know where Becca is trapped are desperate that she should never escape. Over the course of a week, family, friends and strangers are drawn together by a terrible shared fate – from which not all will escape. ‘The Well’ is a darkly gripping tale about how we respond to the hand fate has dealt us – and the consequences of our choices. The Well deftly intertwines a story of supernatural horror with a tale of one of the greatest fears of modern life. As the book progresses, the two stories become one – driving relentlessly towards a single, thrilling finale. The Well is a fast-paced, riveting story that will grip you – and keep you guessing – until the very end.” I do the Twitter thing too.

Rebecca Treadway

Rebecca isn’t just a writer, she’s also a digital artist responsible for creating many a book cover. You can find books to which Rebecca has contributed on Amazon, and if you’re in the market for a book cover, then why not browse along to her website.

Red Tash

Red Tash is a journalist-turned-novelist of dark fantasy for readers of all ages. Monsters, SciFi, wizards, trolls, fairies, and roller derby lightly sautéed in a Southern/Midwestern sauce hand-canned from her mama’s recipes await you in her pantry of readerly delights. Check out her work on Amazon. You can also follow Red on Twitter.

Love Songs for the Shy and Cynical, by Rober Shearman

Love Songs for the Shy and Cynical, by Rober Shearman

Robert Shearman

Robert’s a great writer famous for bringing back the Daleks in wonderful style in the episode of Doctor Who, Dalek. But Rob’s more than a Dalek man – he really is a wonderful, inventive writer. Find his superb books on Amazon, including my favourite, the poetic, lyrical and beautifully strange 5-star rated Love Songs for the Shy and Cynical. You can also follow Rob on Twitter.

Scott Baker

Another horror-writing friend (you must have spotted a trend by now) Scott Baker is the author of the zombie apocalypse novel Rotter World and The Vampire Hunters trilogy. He is also the author of the short stories, Rednecks Shouldn’t Play With Dead Things, Cruise of the Living Dead, and Deck the Malls with Bowels of Holly (think zombie reindeer). Scott’s work is available on Amazon.

Stella Deleuze

I can’t introduce Stella as well as she does herself. “One night, I lit a candle, poured myself a glass of wine and sat at my kitchen table, a writing pad in front of me. Ten pages later, I had finished an old-school love letter, which I handed over the next day. I didn’t get the man, but a massive surprise: ‘You know what? Your style is amazing, you should write books’, was his reaction. When I started with satirical short stories he became my first ever fan.” And so she is, a writer of funny, biting satirical stuff and you know where it can be found. You can also follow Stella on Twitter.

Steve Redfern

Steve heads up Rockhopper Studios – a stylish and sexy mobile recording studio. It comes to you or you go to it, it does a bit of both. If you want to spring for a really special present for those family members or friends of a musical bent, Rockhopper does a great package, where you can record a 4-track EP and get an HD video for £250. Go find the Rockhopper.

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Tiffany King

Tiffany King is the author of the paranormal/romance YA novel Meant to Be and practically a native Floridian. Tiffany wrote her book Meant to Be two years into her degree programme and put it on hold while she finished school. During the process with Meant to Be she discovered just how much she loves to write. 4- and 5-star rated, Tiffany’s fiction is available on Amazon. You can also follow Tiffany on Twitter.